May 19 @ 7:00 pm – 9:00 pm
Medieval, Spanish, and Progressive Blues
Friday, May 19, 7 p.m.
Doors: 6 p.m. TLCA Members; 6:15 p.m. General Public
Advance Tickets: TLCA Members $25; Non-Members $30.
Day of Show Tickets: TLCA Members $30; Non-Members $35.
Reserved Seating in First Five Rows: Additional $10 with Ticket Purchase
This is a rare opportunity, CLAUDE BOURBON rarely tours the U.S!
“A breathtaking acoustic fusion of blues, jazz, folk, classical and Spanish guitar from a stunning guitar virtuoso…”Altadena News, USA.
Ready for a unique and talented take on a wide range of musical traditions? Claude Bourbon is known throughout Europe and America for amazing guitar performances that take blues, Spanish, and Middle Eastern stylings into uncharted territories.
Claude’s inimitable style incorporates all five digits on each hand dancing independently but in unison, plucking, picking and strumming at such speed and precision that his fingers often seem to melt into a blur. Thousands of people in the UK, Europe and USA have enjoyed listening to this virtuoso and for the majority of his audience it is an experience that compels them to return again and again to hear and watch him play, as his fingers lightly dance over the strings of his guitar and create a unique sound that is ’Claude’.
Now based in the UK, some of this guitarists’ influences allow us a fascinating insight into this remarkable musician; Paco De Lucia: Deep Purple’s Richie Blackmore; Joaquin Rodrigo; JJ Cale; JS Bach….
Claude has played countless venues, including Glastonbury Festival, Isle of Wight Festival, Colne Great British & Blues Festival, Rock O’Z Arene, Avenches, Switzerland, among others. He has shared the stage in Europe and the USA with countless musicians, Calvin Russel, Charlie Morgan (Elton John, Gary Moore), Jan Akkerman (Focus), Steve Grossman (Miles Davis), Herbie Armstrong ( Van Morisson), Jose barrense Dias and many more.
“Claude Bourbon weaved his songs through the audience as if on a journey through life taking in different flavors of Europe and beyond… from classical openings, across a whole continent of cultural roots, holding audience attention under a musical spell, his music would not have been out of place in the courts of Emperors and Kings.” (G. Munn)
“…His fingerpicking is exquisite and if I closed my eyes I could clearly hear two guitars playing. Just when I recognized a theme he moved on with a mesmerizing cascade of notes which kept on flowing. He added a driving bass, for a version of “She knows how to stretch it”. By the time he sang the first verse he had ‘stretched it’ from Spain to the Caucuses, and from the concert hall to the bar room. His forte is obviously his wonderful guitar work, but he does occasionally burst into song and what you then get is something between Bob Dylan and Cat Stevens, combined with a French accent! C’est magnifique.” Dave Bailey
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